![]() Horn of Amalthea) is culturally preserved in the form of a cornucopia, which is a woven basket in the shape of a vortex stuffed with fruits. See for instance the Nordic myths of the sampo or millstone, the stone or horn of plenty, all of which relate to transdimensional technologies that turn thoughts into things, rotate imaginary to real via a process of vortical translation. The Ark (of the Covenant) plays prominently into the creation of the linear timeline, or at least its latest iteration. Interesting that it synchronistically contains “ark” as in Ark of the Covenant, Arcadia, Arctic, and Arcturus (which figure into Polar Mythology). The name “futhark” comes from the first seven letters of this alphabet. Here is one possibility:īelow I will interpret the runic alphabet of the Elder Futhark, as presented in the book Runelore by Edred Thorsson. Features common to multiple runes would correlate to their having some meanings in common. ![]() The unique combination of these elements present in each rune would yield a unique composite meaning for the rune itself. If there is a purpose and significance to the shape of these runes, then they should be decipherable by first interpreting their simpler key constituent elements. Larson’s Reciprocal System, meaning 3 dimensions of time and one of space, which visually would be experienced as a network of branching, merging, and bending fiber-like timelines. Jessup’s book “The Case for the UFO.” Timespace is the inversion of spacetime, per Dewey B. from a state of “timespace” as the Law of One material calls it, or “neutral stasis” as Carlos Allende termed it in the Varo edition of Morris K. That the 24 rune symbols were read by Odin only while hanging from the tree of time suggests they might be the spatiotemporal archetypes of our physical existence seen from outside time itself, e.g. So this represents, at one level of interpretation, the semi-4D race falling into the darker 3D realms and being enchained by the constraints of space and time. Odin hanging from the tree, or Christ from the cross, is symbolic of hyper-dimensional consciousness entering and being crucified upon the cross of space-time. When a higher being enters the lower realms and undergoes an act of suffering and sacrifice, that is crucifixion. the multiverse or fractal holographic matrix of spacetime. Comparing this myth to other similar ones (see the book Hamlet’s Mill) makes it evident that the “world tree” is representative of our linear timeline with all its branches, i.e. Now, according to rune mythology, in an act of self-sacrifice the god Odin hung himself upside down from the great tree Yggdrasil for nine days, during which the 24 runic symbols were revealed to him. ![]() The mythical origins of the Celts and Nordics suggests their ancestors were once a technologically advanced and partially fourth density (semi-4D) race who suffered a cataclysmic vibrational descent into 3D Earth, after which they became ever more divested of their supernatural powers by increasingly taking upon themselves the constraints of three dimensional space and linear time, whether through genetic intermixing with the indigenous population or through gradual acclimatization to the lower vibrational levels. Viking alphabet) from the viewpoint that they are a collection of scientific diagrams pertaining to hyperdimensional physics and metaphysics. My goal in this note is to interpret the Elder Futhark (old Norse rune alphabet, a.k.a.
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